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This "best-of" picks up where Eponymous left off, instead of replacing it, and that's consistent with the group's "value for money" releases. As a result, there isn't a lot of really spunky material on this 18-track collection that recalls their younger I.R.S. days, outside of the sublime bounce of Automatic for the People's "The Sidewinder Sleeps Tonight," the martial stomp of Green's "Orange Crush," and Monster's catchy opener "What's the Frequency, Kenneth." What you get instead is the mature, romantic and sweet R.E.M.-a band that clearly took a little edge off when they stopped touring all the time.
"Losing My Religion" may be the all-time fruit of this less-hurried existence, but "Nightswimming" and "Electrolite" are the most indicative of this new maturity. And the last two LPs of thoughtful, slower-tempo stuff show no loss of command via Reveal's shimmery-beautiful "Imitation of Life" and Up's lovely waltz "Daysleeper," and the piano-sugar of the Pet Sounds Beach Boys confection, "At My Most Beautiful." Even the two new and two non-LP songs show no slackening, as the "It's the End of the World"-ish "Bad Day" and the British Invasion-esque pop of Vanilla Sky soundtrack cut "All the Right Friends" and Man in the Moon soundtrack hit "The Great Beyond" and "Animal" give confidence to even old fans that the gravy train hasn't hit the end of the tracks.
No, this is not a rock LP, certainly not in the way that Eponymous was. This is pop at its most mollifying. They've long been one of the last proofs that commercial needn't always mean crap, and it's still a mystery why so few have followed their lead in that regard. Here's to best-of number three in 2019.