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Formats and Editions
1. Violin Concerto, Op. 33, Fs 61: I. Prelude: Largo - Allegro Cavalleresco
2. Violin Concerto, Op. 33, Fs 61: Iia. Poco Adagio -
3. Violin Concerto, Op. 33, Fs 61: Iib. Rondo: Allegretto Scherzando
4. Flute Concerto, Fs 119: I. Allegro Moderato
5. Flute Concerto, Fs 119: II. Allegro Un Poco
6. Clarinet Concerto, Op. 57, Fs 129: Allegretto Un Poco -
7. Clarinet Concerto, Op. 57, Fs 129: Poco Adagio -
8. Clarinet Concerto, Op. 57, Fs 129: Allegro Non Troppo - Adagio - Allegro Vivace
9. Laws Patrolling
10. 5 Years From Now
11. Cuttin' (Remix)
12. What Ya Know About...
13. Know What I'm Sayin'
14. Type Of N**ga U Need
15. Grandma
16. Ibiza
17. Für Dieses Leben Würd Ich Sterben
18. Hand Aufs Herz (Single-Mix)
19. Es Hängt Ein Pferdehalfter An Der Wand (Fox-Mix)
20. Casanova
21. Fauler Zauber
22. Gänsehaut im Herzen (Partyfox-Mix)
23. 7 Jahre Schlechten Sex
24. Nur Ein Sommermärchen (Discofox-Version)
25. Nicht Mal Der Himmel Ist So Blau Wie Deine Augen (Discofox-Mix)
26. Gloria
27. Du Hast Ein Wunder Vollbracht (Fox-Mix)
28. Ich Hab Gedacht Es War Nur Liebe (Fox-Mix)
29. Verliebt In Eine Hexe
30. Seit Mehr Als 1000 Jahren
31. Mindestens Haltbar (Discofox-Mix)
32. Amsterdam (Karaoke-Version)
More Info:
"I think in terms of the instruments themselves - I sort of creep into their souls", said Carl Nielsen (1865-1931). His three solo concertos for violin, flute and clarinet concertos are highly characteristic and expressive works that show how Nielsen developed as a composer, increasingly distancing himself from the classical conventions. This new recording by New York Philharmonic and Alan Gilbert concludes the acclaimed Nielsen Project with soloists Nikolaj Znaider, Robert Langevin and Anthony McGill as the soloists in vivid live recordings from Avery Fisher Hall. "In Nikolaj Znaider's extraordinary performance of the solo part, it was not that the work's technical demands sounded easy but that they sounded musical... Mr. Znaider embraced Nielsen's characteristic swift shifts of mood, from aggressive scherzo to arching lyricism." (New York Times - concert review 2012) "Mr. Gilbert, as he has demonstrated, is an inspired Nielsen conductor. In Mr. McGill he had an ideal collaborator. Coming to the Philharmonic after a decade as a principal with the Met Opera Orchestra, Mr. McGill played with his trademark brilliance, penetrating sound and rich character." (New York Times - concert review 2015)
